A 1961 Ford Thunderbird — a tribute to my father's car — navigating a rain-slicked cyberpunk cityscape. A heavy, analog machine moving through a world built for drones. The tension is rooted entirely in physics. In the tight turns, it's a heavy car. In the straight, it's a rocket ship.

The film pivots on a single mechanical beat where the hardtop retracts to reveal flight surfaces — heavy becomes light. The trailer was built in a rigorous image-first pipeline. A single reference established the hero car, locking the license plate through every generation. The environment was built from separate references, treating every reshoot as a single-variable test to ensure the chase sequence feels entirely connected.